Biblical Subject   |   Biblical Text   |   Artist   |   Word
The Descent from the Cross

Matthew 27:59; Mark 15:46; Luke 23:53; John 19:38

As the descent from the cross, the lamentation (pietà), and the entombment are closely related scenes connected to the same occasion, the sorting of the pictures under these three headings may be highly disputable

Related:   Pietà


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Descent from the cross, The
SOLIMENA, Francesco

Study of the removal of the body of Christ from the cross
SPENCER, Sir Stanley

Deposition, The
SPITZ Master

Deposition from the cross, The
TIEPOLO, Giovanni Domenico

Lamentation at the foot of the cross, The
TIEPOLO, Giovanni Domenico

Deposition, The
TINTORETTO

Deposition, The
TINTORETTO

Descent from the cross, The
TINTORETTO

Christ taken down from the cross, and the Virgin fainting
Tintoretto, Attributed to

Descent from the cross, The
Tintoretto, Attributed to

Descent from the cross, The
TISSOT, James

Descent from the cross *
TODD, Geoff

Deposition, The
UGOLINO di Nerio

Deposition
UNKNOWN; Flemish Master

Deposition
UNKNOWN; Flemish Master

Descent from the cross
UNKNOWN; Flemish Master

Deposition
UNKNOWN; French Master

Deposition, The
UNKNOWN; French Master

Deposition, The
UNKNOWN; French Master

Deposition, The
UNKNOWN; French Master

Deposition, The
UNKNOWN; French Master

Deposition, The
UNKNOWN; French Master

Way of the Cross, the
UNKNOWN; French Master

Deposition, The
UNKNOWN; German Master

Removal of Jesus from cross
UNKNOWN; Illustrator of 'Biblia : Das ist die gantze Heilige Schrift...', Martin Luther (author), Nuremberg, 1702

Descent from the cross, The
UNKNOWN; Illustrator of Henri Alexandre Joseph Martin-Delahaye's Publications

Body of Christ is taken from the cross
UNKNOWN; Illustrator of Jerome Nadal's 'Evangelicae Historiae Imagines', 1593

Descent from the cross
UNKNOWN; Illustrator of 'Petites Heures de Jean de Berry'

Descent from the cross
UNKNOWN; Illustrator of 'Petites Heures de Jean de Berry'

Deposition, The
UNKNOWN; Illustrator of 'Speculum humanae salvationis', Cologne, c. 1450


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